Tag Archives: Conor Oberst

It was quite a Heartstopper when I saw Hipsters Don’t Lie was updated.

It had been a month since the blog was updated, and it was in need of updating.
“The blog needs updating,” said the Little Red Hipster. “Who will update the blog?”
“Not I,” said the Bob.
“Not I,” said the Cat.
“Not I,” said the Bobcat Cat.
“Then I will,” said the Little Red Hipster. And she did.

My apologies once again. I was expecting a post from Bobcat shortly following my own, but, alas, when a job needs to be done, do it yourself. (That is possibly the least hipster sentiment I’ve ever expressed in this blog, aside from my love of Barenaked Ladies. A real hipster would just glare at the job with apathetic rage until it did itself.) I really have no excuse for not updating, disregarding bouts of sickness and looming deadlines that lead to decisions that will affect the rest of my life. Bobcat, on the other hand, is playing with her new rabbit. Naturally, when I thought about what I should write about, flaming Conor Oberst sounded like an excellent idea–but then I thought, “Hey, I’ve been listening to a lot of Emilíana Torrini lately.”

Emilíana Torrini hails from Iceland, the land of swan dresses and Björk, and is best known for providing the vocals for “Gollum’s Song” for Lord of the Rings: The Two Towers. And apparently she put out a new album. Who knew? Me and Armini, which dropped on September 9th, is a mix of genres from folk to reggae and country to jazz with a common Emilíana-spin. Never over-orchestrated or over-produced, each song features simple guitar and drum arrangements backing Emilíana’s unique vocals; her raspy voice constantly straddles the line between juvenile, bubbly innocence and breathy, world-weary maturity. Her slower, softer, stripped-down numbers often sound like songs meant only for the singer’s own ears–something private and vulnerable you were lucky enough to happen to eavesdrop on. But I digress–I’ve read only good things about this follow-up of Fisherman’s Woman (the follow-up of the popular, but drastically different Love in the Time of Science).

My pick is Heartstopper, a favorite of mine from 2005′s Fisherman’s Woman. It’s a simple enough song about everything in life seeming to fall apart all at once. The contrast between the slow, vulnerable chorus and the comparatively chaotic arrangement and the strength of Emilíana’s voice in the verses has always gotten me and my cold, apathetic heart. I’m not a huge fan of music videos usually, but this one is worth a watch or two (or ten). Seriously.

Going from stopped hearts to hearts beating like jungle drums, my pick from the new album is the infectiously catchy Jungle Drum.

Other highlights for me from the new album were Fireheads, Big Jumps, Gun and Bleeder.
For more on Emilíana Torrini, check out her official site and myspace page.

Also, if you would be so kind as to look in the sidebar, you can find many ways to keep in touch with us. If you would be so kind as to select the way that best suits you, please feel free to leave Bobcat angry messages (or comments!) demanding updates. ‘Til next time (which hopefully won’t be another month away): stay hip, kids.

Mix(tape) It Up! Challenge: Bobcat’s Response

A bit delayed, as usual. But here it is, my response to the challenge! I’ll try to get versions of the songs, but I do have ninty percent of them on my iTunes, so if you really want I can send you the MP3 via email or which ever method you choose. Now, the Mix(tape) It Up Challenge!
 

1. A song with an impressive intro: Stronger- Kanye West.

Who doesn’t love some good Kanye West? Especially with a nice collaberation between him and Daft Punk? This makes for a lovely intro.
 
2. A song with a literary allusion: Peter Pan- Patrick Wolf

Patrick Wolf and Peter Pan, what a combination. Peter Pan was a book before the Disney Movie, but I’m sure you all knew that. So, this is my literary allusion. Patrick Wolf’s music fits the part, I believe, with the violins and the beautiful melodies he manages to produce.

(I couldn’t find this one, so, good luck with that. Sorry!)

3. A song released 20+ years ago: Guns of Brixton- The Clash

There were so many options for this one, but this song came on my iTunes when I was talking to Paul about it. Who doesn’t love a little bit of The Clash? I know I do. The song was released in 1979.
 
4. A rap song that fits within the realm of hipsterness: Good Friday- Why?

Yoni Wolf once again produces a great song that manages to fit perfectly in this category. This song is a perfect blend of rap and hipsterism, sweet music to my ears. This song has racked up the plays on my iPod and my computer, so give it a listen.
 
5. A song by the first band you saw in concert: Take Me Home Please- Reggie and the Full Effect

I’m not going to comment. I could have gone the more embarrassing route and picked a My Chemical Romance song, but I have some pride. I was young and, surprisingly, it was a decent concert.
 
6. A song that mentions or alludes (clearly) to a historical figure: Cape Canaveral – Conor Oberst and the Mystic Valley Band

Don’t get me started on Conor Oberst and the Mystic Valley Band again. I would have used this for #14, but I ended up using the Mystic Band and Bright Eyes by the time I got there. In this song, Socrates is mentioned and a Greek philospher, though in a different way, still counted. 
 
7. A song employing a foreign language either in part or whole: Qué Onda Guero -Beck

When we decided on this track, I thought this would be difficult. But then I remembered good old Beck. So, Beck was chosen for this track. 
 
8. A song that describes your hometown: Devil Town- Daniel Johnston

What a perfect song to describe my hometown. This song  just fits everything that is my hometown. It was covered by Bright Eyes and is featured on his album, Noise Floor Rarities. Daniel Johnston’s original is wonderful, but the cover is almost just as good. I recommend both.
 
9. A song that mentions fruit: Lime Tree- Bright Eyes

I surprisingly had many, many options for this one. I was going to use “Peach Plum Pear,” a cover by Final Fantasy, but I decided on this one. There was also another Bright Eyes song, “Bowl of Oranges.” Fruit is clearly mentioned in the title.
 
10. The most heart wrenchingly sad song you know: Trouble (Cover) – Elliott Smith

There were so many options for this one, and I think I had to change it at least five times. This one won it though. Elliott Smith’s cover of the Cat Stevens song is brilliant and heart-wrenching, but you can’t help but listen to it. It brings tears to my eyes every time.

11. A song containing alliteration: On the Bus Mall- The Decemberists

The alliteration varies in this song, switching between verses. I read the lyrics and found the examples and the pattern seems to be two or three words with the same letter. Makes for lovely alliteration, if I do say myself.

(I only could find covers and since I didn’t feel like listening to them all, you can find it. Plus, a cover is hardly ever as good as the original.)

12. An unlikely cover: Hurt- Johnny Cash ( Originally a Nine Inch Nails song)

Nine Inch Nail’s song, “Hurt” is a great song to begin with. Then, Johnny Cash comes and makes it incredible. He took the song and changed it, for the better. It is beautiful and full of emotion and one of the best songs, ever.

13. A song that name drops another artist: Grace Kelly- Mika

Another song that gave me some trouble, but then I thought back and this song popped out. Freddy Mercury is name dropped and this is a fun little tune that gets stuck in your head.

14. A song by the band you most swoon over: Music When the Lights Go Out- The Libertines
 
Conor Oberst would be in this place if I didn’t use him already. However, The Libertines are a close second, as the whole band is lovely. So, Pete Doherty may be a heroin addict and doesn’t hang out with the best people, and maybe Carl Barat was a bit hypocritical when he kicked Pete out of the band as he was on coke, but lets face it: they are some of the most attractive men in the world. They both earned a place on the Top 5 in my book. You may argue, but this is my opinion. They’re hot, and their music is great, even in the spin-off bands, Dirty Pretty Things and Babyshambles. 

15. A song about endings: Casimir Pulaski Day- Sufjan Stevens

Another song that almost made it into the saddest song category, but I decided it was fitting to be here as well. This song is beautiful and sad, pretty and meaningful. A classic example of Sufjan Stevens, and if you haven’t heard this song, you better listen.

So, there it is! My response. Man, that was fun. Sorry that the videos are iffy, but most of the songs are there! Have a ball, folks.

The Mystic Valley is Mystical!

There has been one thing that had clashed between Paul and I for a long time, and that is one man by the name of Conor Oberst. Now, as many of you hipsters know, the new Conor Oberst self-titled album officially came out in the U.S. on August 5th, though it has been on the internet for quite some time. I remember when I found out about the album, then, when I found out about the tour. I was at the Philadelphia show on August 11th, (I know I suck at updating, I meant to that night, but I couldn’t get on the internet with my Mac and felt bad using my friend’s desktop) and to be honest, it was the best show I believe I’ve ever been to. Now, many of you cringe at the mention of the man who is affiliated with Bright Eyes, who is Bright Eyes. However, I tell you, listen to Conor Oberst. It is some of the best work I’ve heard in a while and it is racking up the plays on my iTunes. So, put your prejudices behind you.

The opening track is called “Cape Canaveral” which is a beautiful and elegant song, and my personal favorite on the album. Close seconds are “Milk Thistle” (I cried during this one at the show, I’m not afraid to admit it, it was beautiful and touching) and “Souled Out!!!” which has a new video out:

Now, while this may not tickle the fancy of many of you out there, it certainly did to the large amount of hipsters that waited outside the Troc that fateful night. Many, like me, were excited, but concealed it behind their apathetic attitudes (I didn’t, sorry) and arrived early, providing some in line laughs and eye rolling. Now, the show was sold out, very packed, and I hope if you ever go to a show with a parent that doesn’t know show etiquette that they stand in the back, drinking like good parents that need to pass the time. They truly can be irritating when they elbow you, telling you to back off. If that woman reads this, Sorry, I was being shoved against you, too. I didn’t want to be, trust me. There were plenty of others I’d prefer to be pushed against. For the most part, the fans were friendly and good natured, being apathetic and smoking and talking outside the venue. It had a great feeling, as it was a very intimate show, and I’d advise you all to go to a show if you can. I recently found out that there will be two shows in New York City this November. So, buy your tickets and relax, giving a good listen to the music.

Songs can be found here: myspace.com/conoroberst and are available in your local Borders, F.Y.E. or iTunes.

 

So, since it’s been so long, and I feel bad, I propose a challenge to Paul. Let’s give each other bands to blog about, so we just don’t pick things we are already opinionated about. What do you think, buddy?

Whales walk, whales talk

An Angle. A band with every intention to be as moving as the one and only Conor Oberst. However, they take a different turn with their music, but only slightly. Since We Can Breathe Under Alcohol is the band’s best album, not that I’ve heard their most recent one, we’ll stick with the old. An Angle has vivid words to express how much they “hate the indie music scene,” while they are pretty much as indie and hipster as one can get. Observe the above album cover. Take in the antique merry-go-round horse, cardboard signs, colored boxes, the scruff one of their faces, and the strong lull of alcohol. Look at the lead singer as he peers over the “CAN” sign uncertainly and a bit apathetically. This is indie, through and through.

While their songs are filled with alcoholism, the battle with it, one song in particular stands out. While Kris Anaya sings with his band, he harmonizes at times and in ways that directly mimic Bright Eyes. Now, their entire sound isn’t like Bright Eyes, so you Bright Eyes haters need not to fret. They have wonderful metaphors in their songs. However, one bothers me greatly. The song is entitled, “Whales Walk, Whales Talk.” Now, while it is a good song about alcoholism and it is slightly pleasant to listen to, there is hardly any mention to whales as the title leads us to believe. I was expecting a wonderful extended metaphor followed by fine alliteration, but there was one little line, “Like whales we call out in high noise and so we stand in the middle of the road and suddenly it’s all clear to me the world is growing empty.”

This is lame. Un-hipster, and lame. However, I felt alright as I was flipping through the booklet the album comes with. For the page intended to represent the song, there were two people wearing cardboard made whale costumes, one blue, one pink. This was slightly more reassuring. And this brings me to my last point. It’s so obvious how much you “hate the indie music scene” Kris especially with indie seeping from your ironic pores.

I do give this album a few stars however. It’s nice acoustic guitar melodies and pianos are a nice combination and you can listen to part of their new album on www.myspace.com/ananglemusic and listen to Whales Walk, Whales Talk on Project Playlist and where ever you find MP3s.

For information on Beluga Whales: Here